Claude Tousignant, born 1932, Montreal, Canada. One of Canada’s foremost painters, Claude Tousignant has produced some astounding paintings. These works often shock the viewer with their simplicity, their reduction in formal vocabulary, and the frontality of their planes. [He] came of age in the shadow of the Automatists. To him, the figure and ground relationship of the gestural “action painters” (Riopelle, Borduas), still implied landscape. Tousignant sought a greater purity in art. Influenced by the geometric abstractions of Piet Mondrian, the artist began to make his first hard-edged paintings in 1956. Rectangular in form, each painting featured two or three colours in vertical or horizontal format. Working in alkyd resin enamel, he applied many layers of paint with a roller – the defined edges achieved with masking tape. For Claude Tousignant, the horizontals and verticals still carried an anecdotal reference to something outside the painted object. Seeking a way out of the Mondrian influence, Tousignant left the cultural baggage of the rectangle and began to explore the possibilities of the circular form. In these “bulls eye” paintings, concentric bands of colour vibrate inward and outward in a dazzling display of technical virtuosity.
“What I wish to do is make painting objective, to bring it back to its source – where only painting remains, emptied of all extraneous matter – to the point at which painting is pure sensation.” ~ Claude Tousignant, 1959 Whether working in rectangular or circular format, Tousignant is always in pursuit of the painting as an object rich with meanings only it could possess. The unique chromatic space of his work is possible because his practice always has as its anchor the goal of securing for a painting the radical status as object. In his 1999 catalogue essay on Claude Tousignant, James Campbell best describes the power of his work: “Claude Tousignant’s paintings read as living distillations of colour and form. He has always used colour to express space, space to express colour. In doing so, his spaces lend colour a thick dimensionality and distended presence that can be genuinely eloquent and which can pull the viewer into a powerful gravitational orbit from which he or she only reluctantly escapes.” Tousignant’s work is represented in most museum collections across Canada.
original signed serigraph screenprint, ed. 39/80